Roseberry Launches epis, a New Streaming Service for Premium Vertical Television

As part of the next phase in the evolution of its global studio model, RoseBerry Media has today launched epis, a premium vertical television streaming service delivering mobile-first entertainment for audiences who value their time, but do not want to compromise on quality.

Now available globally via the App Store, Google Play and mobile web at www.epis.tv, epis launches with more than 100 titles spanning curated series, cinematic originals, reimagined favourites and premium television IP professionally adapted for vertical viewing across true crime, drama, reality, dating, factual entertainment and documentary storytelling.

RoseBerry is also planning 25+ original vertical productions in 2026 as the studio continues to build a premium pipeline for mobile-first audiences.

epis offers a curated, expertly produced alternative to high-volume mobile video, combining accessibility, speed and quality for audiences increasingly watching on mobile. Viewers can sample selected content for free before choosing to continue a series through a paid model, applying proven mobile entertainment economics to premium vertical storytelling.

As part of the wider RoseBerry studio ecosystem, “epis” functions as both a consumer destination and a live audience intelligence platform, helping demonstrate how premium vertical television performs with real viewers while giving RoseBerry and its partners deeper insight into audience behaviour, genre demand, content engagement and marketability in the mobile-first space.

“epis, RoseBerry’s direct to consumer vertical streamer service is built on a simple belief: vertical entertainment can be premium. Audiences have changed how they consume content, but they have not stopped wanting great stories. With epis, we are bringing together world-class creative talent, proven television IP, original productions and advanced technology to create a curated, mobile-first service for audiences who want stories worth watching, whether they have five minutes or fifty. We know how to adapt any genre for the vertical format and believe there are no creative limits to what vertical storytelling can deliver or who it can reach”, said Guy Hameiri, Co-Founder and CEO of RoseBerry Media.

“epis is also part of a much bigger RoseBerry Media ecosystem. It gives us and our partners a DTC destination, a testing and data analysis ground and a source of audience intelligence, while supporting a broader studio model designed to help the industry create, understand and monetise premium vertical television across multiple distribution windows”.

The service is also supported by data-led audience tools that help studios, distributors and rights holders understand and monetise vertical content across multiple distribution windows.

The launch of epis follows RoseBerry’s arrival in May 2026 as a next-generation premium vertical television studio, built to create, produce, repurpose, distribute and monetise professional entertainment for mobile-first audiences.

RoseBerry has already secured industry-first agreements with A+E Global Media, All3Media International, Banijay Rights, Cineflix Rights and Fremantle to repurpose selected shows from their libraries into premium vertical television.

EPIS 2026 SLATE HIGHLIGHTS

epis’ 2026 slate showcases the depth and range of its premium vertical television offering, with titles available at launch today and rolling out across the year. The line-up spans true crime, drama, dating reality and factual entertainment, combining new originals with successful and critically recognised television IP reimagined for vertical viewing.

“epis” Originals

RoseBerry’s original pipeline for “epis” spans multiple premium genres, including:

TRUE CRIME

Two Marys
The Swindler and the Billionaire Murder (Silvio Productions)

DRAMA

Revenge is a Dish
Make Me a Match (Lime Pictures)
Sinful Hearts
Hey Princess

DATING REALITY

Don’t Fall for Beautiful Liars (Creator & Showrunner Zipi Rozenblum)

SELECTED TITLES REPURPOSED FOR VERTICAL

The service will also feature premium television IP adapted for vertical, including:

Sexy Beasts the hit BBC Three and Netflix dating format created and produced by Lion Television, an All3Media company
You Can’t Kill Me: adapted from The Fall: Skydive Murder, Fremantle’s true crime miniseries for Channel 4
House in Flames: adapted from Fremantle thriller Heat, starring Danny Dyer
Homicide: Hours to Kill: true crime series from Cineflix Rights

RoseBerry’s proprietary verticalization process combines human editorial expertise, AI-enabled workflows, reframing, graphics, music, sound design, localisation, metadata and quality assurance to transform long-form television into mobile-first episodes that preserve story integrity rather than simply clipping content.

That flexibility is central to the RoseBerry proposition: a global studio, technology partner, verticalization engine, audience insight layer and distribution partner built to unlock new value from existing IP without compromising its integrity.