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Adobe explores OpenAI partnership as it adds AI video tools

15 de abril de 2024

Adobe showcases the generative AI video tools it’s bringing to Premiere Pro this year

Adobe, opens new tab on Monday said it is in the early stages of allowing the use of third-party generative artificial intelligence tools from OpenAI and others inside of its widely used video editing software.

Adobe’s Premiere Pro app is widely used in the television and film industries. The San Jose, California company is planning this year to add AI-based features to the software, such as the ability to fill in parts of a scene with AI-generated objects or remove distractions from a scene without any tedious manual work from a video editor.

Both those features will rely on Firefly, an AI model that Adobe has already deployed in its Photoshop software for editing still images. Amid competition from OpenAI, Midjourney and other startups, Adobe has sought to set itself apart by training its Firefly system data it has full rights to and offering indemnity to users against copyright claims.

But Adobe also said Monday that it is developing a way to let its users tap third-party tools from OpenAI, as well as startups Runway and Pika Labs, to generate and use video within Premiere Pro. The move could help Adobe, whose shares have fallen about 20% this year, address Wall Street’s concerns that AI tools for generating images and videos put its core businesses at risk.

Deepa Subramaniam, Adobe’s vice president of product marketing for creative professional apps, said that Adobe has not yet settled how revenue generated by third-party AI tools used on its software platform will be split up between Adobe and outside developers.

But Subramaniam said that Adobe users will be alerted when they are not using Adobe’s “commercially safe” AI models and that all videos produced by Premiere Pro will indicate clearly which AI technology was used to create them.

Diario de Hoy

jueves, 4 de diciembre de 2025

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Sony impulsa la próxima generación híbrida con la nueva Alpha 7 V y el lente FE 28-70mm OSS II

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MERCADO Y NEGOCIOS
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Artur Pizelli de ETC Filmes

La gestión de derechos se ha transformado en un reto mayor para las empresas de cine, televisión y streaming, que lidian con contratos, territorios y ventanas cada vez más específicos. Para responder a esta complejidad, ETC Filmes impulsa Themis, un software que centraliza y automatiza la administración de derechos, ofreciendo precisión inmediata y reduciendo riesgos comerciales, así lo detalló su director comercial Artur Pizelli, quien resumió que este proyecyo “transforma todo en automatización, prácticamente”.

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