U.S. HISPANIC

200% Media: Joining forces can bring the best of both worlds to projects

Maribel Ramos-Weiner| 18 de diciembre de 2023

Xianelly "Nelly" Guzmán de 200% Media

For Xianelly “Nelly” Guzmán, Development executive at 200% Media, synergies between the US Hispanic, the general market, and Latin America are a reality and, as an example, she mentioned the case of Batalla en Abuela’s Kitchen (6×30′).

“For Batalla en Abuela’s Kitchen, a family-friendly cooking competition we created for Roku, we brought the production to Colombia with Miracol as the crew. Having a showrunner, director, and producers from the US enabled us to keep the US Hispanic feel Roku was looking for, and shooting in Colombia allowed us to stretch the budget without losing any of that premium quality. That is a relationship we are constantly working on with partners like 3Ball Productions, WVE, A&E, Dentsu, and more,” she explained.

For Guzmán, joining forces can bring projects the best of both worlds. “We believe the quality of the project is always the most important thing. To have allies in the US Hispanic and Anglo markets means we can expand our Rolodex and work with the most unique, creative, and savvy people for the project, no matter what market they typically work in. There is far less limitation in how, where, or for how much something can be done… and done well!”

She noted that with synergies like these the general market gains the benefit of widening their resources and getting exposed to companies, creatives, and execs they have never considered working with before. “Audiences yearn for more diversity and they can easily spot a fake attempt at solidarity. By creating a genuine working relationship with the US Hispanic market, they can bring authentic diversity into every project they do. Audiences will notice and appreciate that commitment to change.”

She said the US Hispanic market benefits from working with partners who can give them more exposure to newer audiences. “The market can have bigger budgets and more opportunities to tell different stories and not feel limited to the few territories it previously has reach in.”

Due to the recent script writers and actors’ strikes -the WGA and SAG strikes-, Guzmán was unable to offer more details about their current projects but she mentioned the backpacking competition show they are developing with Eccholine and Tomorrowland Brasil. “To have one of the biggest festivals in the world trust us to create a fun and thrilling adventure/race show is such an honor!” she said.

“One thing I love about working at 200% Media is we never limit our creativity. When I look at our slate, I’m excited to see projects ranging from Spanish, English, docu-series, cooking shows, scripted dramas, adult animation, podcasts, series, movies, and more! That’s thanks to our amazing team with Mari Urdaneta, who always encourages us to pursue new ideas we’re passionate about, no matter the genre, and John Pollak, who always finds a way to get it in front of the right person,” she pointed out.

Diario de Hoy

jueves, 4 de diciembre de 2025

Image

Sony impulsa la próxima generación híbrida con la nueva Alpha 7 V y el lente FE 28-70mm OSS II

Image
MERCADO Y NEGOCIOS

• Artur Pizelli de ETC Filmes: “Nuestro software Themis automatiza la gestión de derechos y acelera la venta de contenidos”

• Riedel suma a Haivision para ofrecer soluciones integrales de video en tiempo real sobre redes privadas 5G

• AEQ impulsa la renovación tecnológica de Radio EP Campinas con la consola CAPITOL IP 12

• Serie original de Hulu Chad Powers etalonada con DaVinci Resolve Studio

• Alfalite acelera su expansión en EE UU y designa a Mariano Aragón como America Channel Sales Manager

• LiveU muestra la versatilidad de sus tecnología con 10 unidades móviles en Europa Central

Image
MERCADO Y NEGOCIOS
Image
Artur Pizelli de ETC Filmes

La gestión de derechos se ha transformado en un reto mayor para las empresas de cine, televisión y streaming, que lidian con contratos, territorios y ventanas cada vez más específicos. Para responder a esta complejidad, ETC Filmes impulsa Themis, un software que centraliza y automatiza la administración de derechos, ofreciendo precisión inmediata y reduciendo riesgos comerciales, así lo detalló su director comercial Artur Pizelli, quien resumió que este proyecyo “transforma todo en automatización, prácticamente”.

Image
Image
Image
Image
Image
PRODU
Resumen de privacidad

Esta web utiliza cookies para que podamos ofrecerte la mejor experiencia de usuario posible. La información de las cookies se almacena en tu navegador y realiza funciones tales como reconocerte cuando vuelves a nuestra web o ayudar a nuestro equipo a comprender qué secciones de la web encuentras más interesantes y útiles.