U.S. HISPANIC

Actor Danny Pino of Hotel Cocaine: The biggest challenge is portraying someone who existed

Maribel Ramos-Weiner| 5 de junio de 2024

For Cuban-American actor Danny Pino, the protagonist of Hotel Cocaine, an Amazon MGM Studios production debuting on MGM+ in the US on June 16, and currently negotiating its distribution in the region, it’s a source of pride to be part of a production centered around the city he loves: Miami.

“Miami is a very complex city. Telling a story that represents all of Miami is impossible. For me, the biggest challenge with Román Compte was that he existed. Maurice Compte, a fantastic actor I worked with on Mayans MC, is his father. Whenever you play someone who existed, even though our Román Compte in Hotel Cocaine is highly fictionalized, the foundation is Maurice’s father. For me, it was important to show respect, homage, and tribute to him and his family,” Pino expressed.

WITHOUT GLORIFYING THE WORLD OF DRUG TRAFFICKING
For the actor, an important aspect of the project is being Cuban-American. “Although the show is called Hotel Cocaine, there is a lot of pride in what Cubans brought with them into exile. The vast majority of Cubans were not involved in drug trafficking or other nefarious activities, and those who were faced severe consequences,” he commented.

He added that they made a “conscious” effort not to glorify that world or those choices. “This was important to me, to Chris Brancato, and to the rest of the team. Our goal was to give depth to all the characters and find the nuances in a world that has often been glamorized in the past. Our priority was to represent it as the violent, desperate, and often ugly reality it was,” he indicated.

Pino mentioned that among his motivations for playing Román Compte in Hotel Cocaine, besides presenting Latino stories, was the ability to speak “our language with our accents, and the culture of Miami, to see that specific culture. This also made me want to develop Román’s character—he is the hotel manager, a family man, he has a daughter, and it’s a universal circumstance to try to protect the family. It made me think a lot about my family, my two daughters, and my wife, how far you can go to defend your family, and what you are capable of doing. This very centered, thoughtful, and responsible father finds himself in a situation where his worst demons are explored.”

THE SIMULTANEITY OF STREAMING
Pino believes that “the fact that streaming services have allowed, in real-time, for more shows to be shared across countries, continents, and regions simultaneously is incredibly powerful. In our show, we have a truly international cast and crew. That makes Hotel Cocaine exciting and unique.”

BALANCE BETWEEN THE ABSURD AND HEDONISM
When asked about the potential reception of the show in Latin America, Pino indicated that he hopes people appreciate it as “a nuanced, interesting, and entertaining show.” He added that there is a combination of humor with the dramatic depth of characters struggling to survive. “I hope audiences enjoy that imbalance, that they don’t know whether to hold their breath or laugh. I think Chris Brancato, our showrunner, was trying to achieve that balance between the absurd and hedonism, and sexuality, which were present at the Mutiny Club, along with the violence, loss, and trauma required to keep that party going. That violence generally fell on people of color to ensure the party continued, that illicit substances kept entering the country and found their way to the dance floor at the Mutiny. In its time, the Mutiny Club was considered the Caribbean version of Studio 54,” he explained.

FIRST SHORT FILM
Pino recently directed and acted in his first short film, Unión de Reyes, which is making its way through the festival circuit, such as the Los Angeles Latino International Film Festival (LALIFF). “It’s about a father and his son who are very close, the son has to deal with the father’s secrets, the Cuban situation of my generation, my parents and grandparents, Cubans in exile in the US, that connection we have and don’t have. It was a lot of work. I also wrote the script, but I think the difference between a negative and a positive experience is having the support of the producer and a superior cast,” he mentioned.

Diario de Hoy

viernes, 21 de marzo de 2025

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Netflix presentó Atrapados, primera serie latinoamericana basada en una novela de Harlan Coben

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DESTACADOS

Juego de voces de TelevisaUnivision arrasa en su estreno con innovación tecnológica y altos ratings

• Cecilia Mato de Navajo Charrúa: “Trabajando en varios proyectos propios y en servicios de producción en Uruguay”

• Abraham Ramírez Palomino de Summit Finance: "Las finanzas de una productora audiovisual deben ser estratégicas y tecnológicas"

PERSONAJE DE LA SEMANA

Patricio Hernández, director ejecutivo de Megamedia de Chile

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ACTUALIDAD

• Chile adopta a nivel nacional el sistema cross-media de Kantar IBOPE Media y duplica el universo de estudio

• MIP Cancun convoca a evento de networking en México junto a Stage México Audiovisual y Canacine

• Mediacrest incorpora a Stephen Johnstone como consultor internacional

• Pérdidas anuales de Apple en sus servicios de streaming superan los US$1 mil millones

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• Secuoya Studios presenta The Lottery Ticket y lidera debate sobre creación de IP en Series Mania

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CONTENIDOS

• Documental Los niños perdidos de Netflix llega a Caracol este 24 de marzo

• Anuncian que Coco 2 ya está en desarrollo

Sunshine girls de Kanal D arriba a Eslovenia

• América TV trae la tercera temporada de Orderique, sí va a salir

• ViX presenta el documental Anatomía del mal, el caso Rangel de N+ Docs

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DESTACADOS
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Navajo Charrúa nació hace poco más de un año para trabajar desde Uruguay hacia el mundo. Fue fundada por Lucas Vivo (fundador de Navajo Films), Cecilia Mato y Mariano Kohan como socios productores. Mato comentó a PRODU que decidieron conservar el nombre Navajo porque ya tenía una trayectoria de 20 años en el mercado.

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Abraham Erick Ramírez Palomino, fundador y CEO de Summit Finance, es experto en finanzas enfocadas en la industria audiovisual

Con el fin de poder entregar a las producciones y a las casas productoras un músculo financiero estratégico, Abraham Ramírez Palomino creó Summit Finance hace tres años. Explicó a PRODU que las finanzas en la producción audiovisual han evolucionado en los últimos años. Con la llegada de las plataformas, éste trabajo se ha sofisticado y se ha vuelto más riguroso.

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ACTUALIDAD
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Desde el 1.º de abril, la medición de audiencias en Chile incluirá todas las pantallas. Con la llegada de la medición Cross-Platform, de Kantar IBOPE Media, la industria contará por primera vez con un modelo capaz de capturar el comportamiento real de los espectadores en todas las pantallas, incorporando datos de TV abierta, cable, plataformas digitales y dispositivos móviles.

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MIP Markets organiza dos eventos de networking en Colombia: el primero el 25 de marzo en colaboración con Meca, y tendrá lugar en Medellín, y el segundo el 26 de marzo, en colaboración con ProColombia, que ocurrirá en Bogotá. Allí se promueven mercados como MIP Cancun.

MIP Cancun anunció una serie de eventos de networking en Colombia y México en las próximas semanas. Se trata de tres eventos, organizados en asociación con ProColombia, MECA, Stage México Audiovisual y Canacine. Los encuentros tienen el objetivo de identificar nuevas oportunidades de crecimiento.

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CONTENIDOS
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Disney y Pixar anuncian que COCO 2, la secuela de la galardonada película COCO (2017), disponible en Disney+, se encuentra en desarrollo en Pixar Animation Studios

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Sunshine girls Somos Mipcom
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